"Patterns" was an American television play broadcast live on January 12, 1955, remade as a film the next year with some of the same cast. Fred Staples is the newest executive in a large firm. He strikes up a friendship with Andy Sloane, the Vice President to whom he nominally reports. Staples is good at his job and the company's hard-nosed president, Walter Ramsey, is pleased with his choice. Staples has a crisis of conscience when Ramsey tells him that he's been recruited to replace Sloane, someone who has devoted his entire life to the company at the expense of his family. Sloane knows what Ramsey is up to but digs in his heels and refuses to quit. Tragedy ensues forcing Staples to make a choice.

Henry's little problem goes from bad to terrifying when he tries an experimental medical treatment.

The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.

The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.

There's something for everyone in Patterns - a British anthology series. Each episode tells a self-contained story, but they all take place in the same universe. A minor character in one story may reappear as lead in another and vice-versa

There's something for everyone in Patterns - a British anthology series. Each episode tells a self-contained story, but they all take place in the same universe. A minor character in one story may reappear as lead in another and vice-versa

Rock My Religion is a provocative thesis on the relation between religion and rock music in contemporary culture. Graham formulates a history that begins with the Shakers, an early religious community who practiced self-denial and ecstatic trance dances. With the "reeling and rocking" of religious revivals as his point of departure, Graham analyzes the emergence of rock music as religion with the teenage consumer in the isolated suburban milieu of the 1950s, locating rock's sexual and ideological context in post-World War II America. The music and philosophies of Patti Smith, who made explicit the trope that rock is religion, are his focus. This complex collage of text, film footage and performance forms a compelling theoretical essay on the ideological codes and historical contexts that inform the cultural phenomenon of rock 'n' roll music.

A documentary tracing the lives of three tribal communities from Idukki district of Kerala in India, narrating their daily encounters.